Pakistanis using piracy websites to watch ‘Dhurandhar’, that exposes Pak’s terrorism: Report
In a fascinating turn of events, it has been reported that Pakistanis are resorting to piracy websites to watch the recently released Bollywood movie ‘Dhurandhar’, which has been banned in the country due to its portrayal of Pakistan’s terrorism and the role of criminal gangs in Karachi’s Lyari. According to a report by News18, Pakistani viewers are accessing piracy links via servers in Sri Lanka, Nepal, and Malaysia to watch the Aditya Dhar directorial, which has seemingly rattled the Pakistani establishment.
The movie, which has been making waves in India, delves into the sensitive topic of terrorism and highlights the involvement of Pakistani gangs in perpetuating violence. The film’s narrative, which is said to be based on real-life events, has struck a chord with Indian audiences, but has not gone down well with the Pakistani authorities, who have swiftly banned the movie in the country. However, it appears that this move has only served to pique the interest of Pakistani viewers, who are now seeking out alternative means to watch the film.
The report by News18 reveals that several Pakistani social media users have taken to creating reels on the movie, despite the ban. This has led to a significant buzz around the film on social media platforms, with many users discussing and debating the movie’s themes and content. The fact that Pakistani viewers are going to such great lengths to watch the movie, including accessing piracy links, is a testament to the film’s impact and the curiosity it has generated among audiences.
The ban on ‘Dhurandhar’ in Pakistan is not surprising, given the country’s history of censorship and sensitivity towards content that is perceived to be critical of the Pakistani establishment. However, the move has ultimately backfired, as it has only served to fuel interest in the movie and drive viewers to seek out alternative means to watch it. The report by News18 suggests that the Pakistani authorities’ attempts to suppress the film have had the opposite effect, with the movie now dominating Pakistan’s digital space and rattling the establishment.
The ‘Dhurandhar’ controversy has also sparked a debate about censorship and the role of the state in regulating content. While the Pakistani authorities may argue that the ban is necessary to protect national interests and prevent the spread of “anti-Pakistan” propaganda, others argue that such moves only serve to stifle freedom of expression and creativity. The fact that Pakistani viewers are willing to risk accessing piracy links to watch the movie suggests that there is a significant appetite for content that challenges the status quo and pushes boundaries.
The report by News18 also highlights the ingenuity and resourcefulness of Pakistani viewers, who are using servers in Sri Lanka, Nepal, and Malaysia to access piracy links. This has raised questions about the effectiveness of the ban and the ability of the Pakistani authorities to enforce it. As the debate around ‘Dhurandhar’ continues to rage, it remains to be seen how the Pakistani establishment will respond to the growing interest in the movie and the ways in which viewers are finding to access it.
In conclusion, the ‘Dhurandhar’ controversy has shed light on the complex and often fraught relationship between Pakistan and India, and the ways in which content can be used to challenge and subvert dominant narratives. The fact that Pakistani viewers are using piracy websites to watch the movie is a testament to the power of storytelling and the human desire for knowledge and understanding. As the debate around ‘Dhurandhar’ continues to unfold, it will be interesting to see how the Pakistani establishment responds to the growing interest in the movie and the ways in which viewers are finding to access it.
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