Pakistanis using piracy websites to watch ‘Dhurandhar’, that exposes Pak’s terrorism: Report
In a shocking turn of events, it has been reported that Pakistanis are resorting to piracy websites to watch the recently released movie ‘Dhurandhar’, which exposes the country’s terrorism and the role of criminal gangs in Karachi’s Lyari. The movie, directed by Aditya Dhar, has been banned in Pakistan due to its sensitive content, but that has not stopped the curious Pakistani audience from finding ways to access it.
According to a report by News18, Pakistanis are accessing piracy links via servers in Sri Lanka, Nepal, and Malaysia to watch ‘Dhurandhar’. This has raised concerns about the reach and impact of the movie, which is said to rattle the establishment in Pakistan. The report also added that several Pakistani social media users are creating reels on the movie, further increasing its popularity and reach.
The movie ‘Dhurandhar’ is a fictional story that revolves around the theme of terrorism and the role of Pakistan-based criminal gangs in it. The movie is said to be based on real-life events and exposes the nexus between terrorists and criminal gangs in Pakistan. The movie’s plot is set in the backdrop of the India-Pakistan conflict and highlights the atrocities committed by Pakistan-based terrorist groups.
The ban on ‘Dhurandhar’ in Pakistan is not surprising, given the country’s history of censorship and intolerance towards content that criticizes its establishment or exposes its wrongdoings. However, the fact that Pakistanis are using piracy websites to watch the movie suggests that there is a growing demand for such content in the country.
The use of piracy websites to access ‘Dhurandhar’ also raises concerns about the spread of piracy in Pakistan. Piracy is a major problem in the country, with many Pakistanis resorting to pirated content to access movies, TV shows, and music. The use of piracy websites to watch ‘Dhurandhar’ is likely to further exacerbate the problem, with many Pakistanis potentially accessing other pirated content as well.
The report by News18 also highlights the role of social media in promoting ‘Dhurandhar’ in Pakistan. Many Pakistani social media users are creating reels on the movie, which is helping to increase its popularity and reach. This is not surprising, given the widespread use of social media in Pakistan and the country’s love for Bollywood movies.
The popularity of ‘Dhurandhar’ in Pakistan is also a reflection of the growing interest in Bollywood movies in the country. Despite the ban on Indian movies in Pakistan, many Pakistanis continue to watch Bollywood movies, either through pirated content or by accessing them through online streaming platforms.
The report by News18 is a significant one, as it highlights the reach and impact of ‘Dhurandhar’ in Pakistan. The movie’s success in Pakistan, despite being banned, is a testament to the power of storytelling and the growing demand for content that exposes the truth about terrorism and corruption.
In conclusion, the report by News18 is a significant one, as it highlights the use of piracy websites by Pakistanis to watch ‘Dhurandhar’. The movie’s popularity in Pakistan, despite being banned, is a testament to the power of storytelling and the growing demand for content that exposes the truth about terrorism and corruption. As the movie continues to gain popularity in Pakistan, it will be interesting to see how the establishment in the country responds to it.
The report also raises important questions about the role of piracy in Pakistan and the need for the government to take action against it. The use of piracy websites to access ‘Dhurandhar’ is likely to have significant implications for the movie industry in Pakistan, with many producers and directors potentially losing out on revenue due to piracy.
Overall, the report by News18 is a significant one, and it highlights the need for the government in Pakistan to take action against piracy and to promote the development of the movie industry in the country. As the movie ‘Dhurandhar’ continues to gain popularity in Pakistan, it will be interesting to see how the establishment in the country responds to it, and what measures are taken to promote the development of the movie industry in the country.
About the Author
