Pakistanis using piracy websites to watch ‘Dhurandhar’, that exposes Pak’s terrorism: Report
In a shocking turn of events, it has come to light that Pakistani citizens are resorting to piracy websites to watch the recently released movie ‘Dhurandhar’, which exposes the country’s involvement in terrorism. The Aditya Dhar directorial, which highlights the role of criminal gangs in Karachi’s Lyari in perpetuating terrorism, has been banned in Pakistan. However, this has not deterred the Pakistani audience, who are finding ways to access the movie through piracy links hosted on servers in Sri Lanka, Nepal, and Malaysia.
According to a report by News18, Pakistani viewers are using virtual private networks (VPNs) and other means to bypass the ban and watch the movie. The report also states that several Pakistani social media users are creating reels on the movie, further highlighting the interest and curiosity surrounding ‘Dhurandhar’. This development has left the Pakistani establishment rattled, as the movie’s depiction of the country’s terrorism apparatus is seen as a threat to their national narrative.
The movie ‘Dhurandhar’ has been making waves in India and other parts of the world, with its gritty portrayal of the terrorism landscape in the region. The film’s director, Aditya Dhar, is known for his earlier work on ‘Uri: The Surgical Strike’, which was also a critical and commercial success. ‘Dhurandhar’ is expected to follow in the same footsteps, with its hard-hitting narrative and realistic action sequences.
The ban on ‘Dhurandhar’ in Pakistan is not surprising, given the country’s history of censorship and sensitivity towards any content that portrays their involvement in terrorism. The Pakistani government has consistently denied any role in perpetuating terrorism, despite overwhelming evidence to the contrary. The movie’s depiction of the Lyari gangs and their links to terrorist organizations is likely to have struck a raw nerve with the Pakistani establishment, leading to the ban.
However, the Pakistani audience’s desire to watch the movie despite the ban is a testament to the growing demand for authentic and realistic content. The use of piracy websites and VPNs to access the movie is also a reflection of the cat-and-mouse game between the authorities and the public, with the latter always finding ways to circumvent restrictions and access the content they want.
The report by News18 also highlights the role of social media in promoting and discussing the movie. Pakistani social media users are creating reels and sharing their reactions to the movie, which is helping to fuel the buzz and interest surrounding ‘Dhurandhar’. This is despite the fact that the movie is not officially available in Pakistan, and the government’s efforts to suppress any discussion or promotion of the film.
In conclusion, the fact that Pakistani citizens are using piracy websites to watch ‘Dhurandhar’ is a clear indication of the movie’s impact and relevance. The film’s portrayal of Pakistan’s terrorism apparatus and the role of criminal gangs in perpetuating violence has struck a chord with the audience, who are eager to watch and discuss the movie. The Pakistani establishment’s efforts to ban the movie and suppress any discussion of it are likely to backfire, as the movie’s message and themes continue to resonate with the public.
As the debate surrounding ‘Dhurandhar’ continues to rage, it is clear that the movie has become a cultural phenomenon, with far-reaching implications for the region’s politics and society. The use of piracy websites and social media to access and discuss the movie is a testament to the power of technology and the desire for authentic content. As the world watches with bated breath, it remains to be seen how the Pakistani establishment will respond to the growing demand for ‘Dhurandhar’ and the challenges it poses to their national narrative.
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