Karan, Aditya & I born with golden spoons, sell fairytale: Sooraj
The Indian film industry has always been fascinated by the lives of its rich and famous. The glamour, the glitz, and the grandeur often leave us in awe of the extraordinary experiences of our beloved stars. However, not everyone gets to experience the same level of luxury and comfort. In a recent revelation, filmmaker Sooraj Barjatya has shed light on the reality of being born into a privileged family. In an interview, Barjatya confessed that he, along with Karan Johar and Aditya Chopra, were born with golden spoons and have never had to face the hardships of life.
Barjatya, known for his iconic films like “Maine Pyar Kiya” and “Hum Aapke Hain Koun..!”, spoke candidly about the advantages of being a part of the film industry’s elite. “We have always travelled in cars,” he stated. “We showed the kind of world that was a fairytale, and the 90s were an era when the audience wanted to see fairytales.” These words convey the essence of Sooraj’s statement – that he and his contemporaries were born into a world of luxury, and their films were a reflection of that.
The 90s were indeed a time of great change and growth for the Indian film industry. The era saw the rise of popular stars, the growth of multiplexes, and the increasing influence of global cinema on Indian filmmakers. Sooraj’s films, in particular, were a staple of the era, offering a glimpse into the fairytales that people wanted to see on the big screen.
Barjatya’s statement is an interesting commentary on the concept of privilege in the film industry. He, Karan Johar, and Aditya Chopra were all born into influential families, with their fathers being renowned filmmakers in their own right. Rajkumar Barjatya, Sooraj’s father, was a prominent filmmaker who produced several successful films, including Sooraj’s directorial debut, “Maine Pyar Kiya”.
Karan Johar, on the other hand, is the son of Yash Johar, a successful film producer who founded Dharma Productions. Aditya Chopra is the son of Yash Chopra, a legendary filmmaker who was known for his romantic comedies. The connection between these three filmmakers is more than just their shared experience of being born into influential families – they also shared a common goal of creating films that would captivate the audience and leave a lasting impact on the industry.
Sooraj’s statement is not without its implications. It highlights the reality of privilege in the film industry, where being born into a prominent family can give you a head start in your career. It also raises questions about the kind of films that are made and the kind of stories that are told. Are filmmakers from privileged backgrounds more likely to create films that cater to a specific audience, one that is familiar with their own experiences and backgrounds?
The answer to this question is complex. While it is true that Sooraj, Karan, and Aditya have created films that have resonated with audiences, it is also important to recognize that their experiences and backgrounds have shaped their perspectives and the kind of stories they tell. Their films are a reflection of their own lives and the world they know, and it is natural that they would create stories that are familiar to them.
However, it is also important to recognize the importance of diverse perspectives and experiences in the film industry. Filmmakers from different backgrounds and with different stories to tell can bring a fresh perspective to the industry, creating films that are more representative and inclusive.
In conclusion, Sooraj Barjatya’s statement is a candid and honest reflection of the reality of being born into a privileged family in the film industry. While it highlights the advantages of being part of the industry’s elite, it also raises important questions about the kind of films that are made and the kind of stories that are told. As the industry continues to evolve and grow, it is essential that we recognize the importance of diverse perspectives and experiences, and strive to create a more inclusive and representative film industry.
