Title: Karan, Aditya & I born with golden spoons, sell fairytale: Sooraj
In a recent interview, renowned filmmaker Sooraj Barjatya stirred up a hornet’s nest by stating that he, Karan Johar, and Aditya Chopra were born with golden spoons and have never experienced the hardships of life. His statement has left many in the industry and beyond scratching their heads, wondering what he meant by this assertion. In this blog post, we will delve deeper into the context behind Barjatya’s statement and explore its implications.
Barjatya, known for his grand romantic dramas like “Hum Aapke Hain Koun..!” and “Maine Pyar Kiya”, has always been associated with creating a sense of nostalgia and wonder in his films. His movies often transported audiences to a world of fantasy and romance, where everything was perfect and life was a fairytale. It’s no surprise, then, that he would say that he and his contemporaries, Karan Johar and Aditya Chopra, were born with golden spoons.
So, what did he mean by being born with golden spoons? In essence, Barjatya is saying that he and his friends grew up in a privileged environment, where the struggles and hardships that most people face were nonexistent. He has always travelled in cars, he said, and has not had to worry about the basics of life. This is not to say that they didn’t work hard or face challenges, but rather that the foundation of their lives was already set, giving them a head start.
Barjatya’s statement is not without merit. Growing up in the 1970s and 1980s, he and his contemporaries had access to resources and opportunities that were not available to many others. Their parents were established in their respective industries, and they had the means to provide their children with the best education and upbringing. This privilege, in turn, opened doors to opportunities that might not have been available to others.
It’s also worth noting that the 1990s, when Barjatya’s films like “Hum Aapke Hain Koun..!” and “Dil To Pagal Hai” became blockbusters, were a time of great change in India. The country was experiencing rapid economic growth, and the middle class was expanding. People were looking for escapism, and films like Barjatya’s, which offered a sense of hope and happiness, were a big hit.
In an era where the audience was hungry for fairytales, Barjatya and his contemporaries delivered. They showed the world a version of life that was perfect, where love conquers all, and where the hero and heroine always end up together. It’s no surprise, then, that Barjatya would say that he and his friends sold a fairytale to the audience. They created a world that people wanted to believe in, and they did it with style and panache.
But what about the criticism that Barjatya’s films, and those of his contemporaries, were out of touch with reality? That they were catering to a fantasy rather than addressing the real issues facing society? Barjatya’s response is that his films were a reflection of the times, and that people wanted to escape into a world of fantasy and romance.
It’s a fair point. While it’s true that his films may not have addressed the real issues of the time, they did provide a sense of hope and happiness to audiences. And in an era of rapid change and uncertainty, that was no small thing.
In conclusion, Sooraj Barjatya’s statement about being born with golden spoons is not an attempt to belittle the struggles of others, but rather a reflection of the privilege that he and his contemporaries experienced. They grew up in a world of luxury and entitlement, and it’s no surprise that their films reflected that.
As the industry continues to evolve, it’s clear that Barjatya and his contemporaries have left an indelible mark on Bollywood. They may have sold a fairytale to the audience, but it’s a fairytale that people still love and cherish.
